Aryan Skynet

Once Aryan Skynet Goes Live It Doesn't Matter Who Pulled The Switch

Holocaust as License and Media Mandate to Exterminate Sexual Decency

In preparing a future post about the Jewish involvement in a particularly nasty New York criminal enterprise, my researches led me to consult Taylor Branch and Eugene Propper’s 1982 book Labyrinth, an investigation into the assassination of Chilean socialist politician Orlando Letelier. I was looking specifically for information about a minor Israeli-American underworld figure, but one unrelated paragraph caught my eye, striking me as absurd and deserving comment. The passage concerns Inés “Mariana” Callejas, a Chilean girl who, seduced by socialism and Zionism, ran off to occupied Palestine to live and work on a kibbutz:

By then she was known as Anat, having rejected as too Catholic her given name, Inés, and her nickname, Mariana. She also made a practical adjustment to the harsh life on the frontier, where the men outnumbered the women four to one, and where many of the refugees, with tattoos and vacant stares from the Holocaust, had little use for the sexual reservations of a proper Chilean girl: more or less for defensive reasons, she married Allan Earnest, an idealistic American agricultural student who had migrated to Israel from Cornell University. After the wedding, they danced the hora around campfires.1

Here liberal authors Branch and Propper, having come across the anecdote of a naive Catholic girl in fear of being raped or possibly even gang-raped by resentful Zionist squatters who were leering at her with “vacant stares”, choose instead to reference the “Holocaust” and its “refugees” with their tearjerking concentration camp tattoos. There is in this passage the insinuation that these men’s behavior is somehow to be excused – that the “sexual reservations of a proper Chilean girl” are more than one ought to expect these poor fellows to endure following all of their sufferings.

Indeed, Preempting the Holocaust author Lawrence Langer warns against “using – and perhaps abusing” the “grim details” of the Jewish catastrophe so as “to fortify a prior commitment to an ideal of moral reality, community responsibility, or religious belief that leaves us with space to retain faith in their pristine value in a post-Holocaust world.” For Langer, “the Holocaust experience challenged the redemptive value of all moral, community, and religious systems of belief.”2 Whether as a result of Langer’s airy considerations or for more cynical reasons, the “Holocaust” would play a crucial role in reshaping sexual morality in the twentieth century.

Sidney Lumet

“Now let’s see dose beautiful boobies, bubala!” Pawnbroker director Sidney Lumet was a key player in the “Holocaust”-condoned eroticization of popular culture.

As E. Michael Jones relates in his book The Catholic Church and the Cultural Revolution, one of ultra-Zionist film director Sidney Lumet’s devious movies would use the Shoah purposefully to sneak tawdrier content into the cinemas:

The revolution finally arrived in 1965, when Hollywood launched another attack on the [Production] Code with the release of The Pawnbroker. During the film a woman playing a black prostitute opened her blouse and exposed her breasts to the camera, breaking, as a result, section 7, sub-section 2 of the Motion Picture Production Code and one of Hollywood’s last remaining taboos. As was the case less than a year earlier, with the release of the sex farce Kiss Me Stupid! (1964), the Production Code approved the film and the Legion [of Decency] condemned it. However, because of the nature of the film, The Pawnbroker would prove to be a much more serious challenge to the Code and the Legion than Dean Martin leering at Kim Novak, the main characters in Kiss Me Stupid!

One reason the challenge was so serious was the serious artistic intent of the film. The Pawnbroker was not Dean Martin telling dirty jokes. It was an account of a Holocaust survivor whose memories of his dead wife are reawakened by the sight of the prostitute’s bare breasts. The breasts, in other words, served a function in the plot. They were artistically justified breasts – the Legion’s worst nightmare. Because the Legion had only one category for condemned films, the Catholics were put in the unenviable position of lumping The Pawnbroker in the same category with Kiss Me Stupid! They were also put in the position of criticizing a film that had an immediate connection with an important event in recent Jewish history. They were obviously throwing out the art baby with the nudity bath. […]

The Catholic Church lost the culture wars in 1965 when it failed to block pornography. Within seven years, hard-core pornographic films like Deep Throat (1972) and The Devil in Miss Jones (1973) were shown in first run theaters, and Jewish power over the culture increased accordingly. As a result of the mainstreaming of films like Deep Throat, pornography became a weapon in America’s psychological warfare arsenal.3

“The promotion of sexual perversion, pornography and obscenity is one of the biggest weapons in the Jews’ arsenal,” maintains The End of Zion. “The deliberate moral corruption of society can thus be seen as a preventative measure against a potential future Holocaust. The more people are masturbating and thinking about sex, the less they are thinking about what the Jews are doing – much less organizing to fight against them.” The Frankfurt School intellectuals – men like Herbert Marcuse and Wilhelm Reich, who would play an important part in the sexual revolution by running academic interference – were European Jews who had been inconvenienced by the rise of National Socialism. The End of Zion continues:

A standout feature in most stories about the “Holocaust” is the extreme perversity included in them. This, as anyone even vaguely familiar with the Holocaust industry knows, is done to traumatize people into sympathizing with the “poor, inoffensive Jews,” for what they supposedly had to endure during WWII.

The Jews also use the “Holocaust” as leverage to get people to accept perverse garbage that would otherwise be deemed unfit for public consumption. Under the pretense of trying to prevent atrocities such as the alleged “Holocaust” from ever happening again, the Jews force us to accept viewing and reading the most shocking and grotesque imagery that their demented minds can conjure up. People normally would not allow their children to look at piles of dead corpses, for example, yet this is occurring a grand scale in schools every single year – it’s even required by law in many areas. […]

Things got even more bizarre on the Holohoax front after [the book] House of Dolls and The Pawnbroker. Those two stories led directly to the advent of “Naziploitation” films, which are campy, over-the-top, sex and gore, horror fantasy films about evil, cartoonish German Nazis conducting all kinds of weird experiments on Jewish concentration camp prisoners. […]

[1975’s] Ilsa, She Wolf of the SS – the king of all “Naziploitation” films – opens with a written statement claiming that the movie is based on a true story and needs to be seen in order that it “will never occur again.” Within 5 seconds of watching the film you see two people having graphic sex with a clear display of actual penetration. Ilsa is a truly sick movie, almost beyond belief.

Claiming that Ilsa has anything to do with real life events or that it contains uncomfortable truths that need to be seen in order to prevent them from happening again, is an insult to even the dumbest viewer’s intelligence. It is clearly nothing more than trashy, pornographic smut. […]

In a similar vein, Bernardo Bertolucci’s preposterous epic 1900 (1976) features Donald Sutherland in the role of a bisexual fascist pedophile who molests a child before whirling the boy around a room and bashing his head against a wall. One supposes that this character’s inclusion in the film was absolutely necessary in order to make the evil of nationalism positively clear to the audience:

Daniel Mayer Cherkoss (alias Dan Curtis) was able to get gratuitous nudity onto primetime television using a “Holocaust” episode in the 1988-1989 miniseries War and Remembrance. This was followed by the coup of televising Steven Spielberg’s Schindler’s List (1993) unedited and commercial-free on network TV in 1997.

Schindler’s List took this clever subversion technique a step further though; along with the dozens of naked victims shown being abused and exterminated by the Nazis in the film, it also features non-gas chamber related nudity that has nothing to do with the so-called Holocaust, such as Schindler having sex with a woman and multiple women lying on beds with their breasts exposed.

“Never forget,” jests The End of Zion, “that women laid in beds naked while Jews were being Holocausted and converted into lampshades, soap and other useful Nazi accessories.”4

Another utilization of “Holocaust” orthodoxy is its mythologization of innocent homosexuals as martyrs for love. Schoolchildren across the United States are forced to read the ruminations of bisexual moral paragon Anne Frank, and the “Gay Holocaust” is now cited as a preeminent justification for extinguishing “homophobia”5. A 1997 movie, Bent, immortalized the tender souls exterminated by the sexually repressed Germans. What, one wonders, is next – solemn commemoration of Hitler’s fiendish persecution of zoophilic otherkin?

Rainer Chlodwig von K.

Endnotes

  1. Branch, Taylor; and Eugene M. Propper. Labyrinth. New York, NY: The Viking Press, 1982, p. 486.
  2. Langer, Lawrence L. “Preempting the Holocaust”. The New York Times (1999): http://www.nytimes.com/books/first/l/langer-holocaust.html
  3. Jones, E. Michael. The Catholic Church and the Cultural Revolution. South Bend, IN: Fidelity Press, 2016, pp. 70-71.
  4. https://theendofzion.com/the-holocaust-hoax-and-the-jewish-promotion-of-perversity/
  5. http://stop-homophobia.com/thegayholocaust.htm
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About icareviews

Propaganda Minister of #AryanSkynet

45 comments on “Holocaust as License and Media Mandate to Exterminate Sexual Decency

  1. icareviews
    June 3, 2017

    Reblogged this on icareviews.

    Like

  2. Onceler
    June 3, 2017

    The Catholics allied with the Jews in Essex County (Jared Kushner’s family lives there, in Livingston), NJ way back around Edison’s time. First the Jews escaped to found Hollywood in partial flight from the anglo Protestants enforcement of Edison’s patent. Around the same time or then, the Catholics – meaning Italians primarily – and the Jews were popularizing nickelodeons that played sexually provocative videos.

    The anglos fought to censor the jewish perv influence on film well before 1965, and to posit the Roman Catholic Church as some sort of adversary to the Jews is just bizarre.

    Jews could never have effected their velvet coup in the US without the Roman Catholics aka Italians.

    Like

    • bob saffron
      June 3, 2017

      Nickelodeons were primarily Jewish ventures.

      Like

      • bob saffron
        June 3, 2017

        “The results confirm that the large majority of early exhibitors in Manhattan were indeed Jewish. Of the 189 exhibitors listed by name in Trow’s, Jews accounted for 112, or 60 percent. Italians follow with 18 percent of the named exhibitors, individuals of English/American descent 14 percent, and Irish 7 percent. A handful of exhibitors of French, German, and Scandinavian descent make up the remaining 2 or 3 percent.”

        (see p. 128). https://tinyurl.com/yd2w38t8)

        Of course, Italians would have figured highly as patrons, but that’s a different argument.

        Like

      • bob saffron
        June 3, 2017

        “Perhaps the ‘upright’ German immigrant community found the nickelodeon unappealing, particularly in light of its association with newer and poorer immigrants such as the Italians and East European Jews. On the other hand, according to Zeisloft, the ‘frightfully clannish’ Bohemians ‘refuse to mingle with any but their own…[and are] almost untouched by the [Americanizing] influences that are refining most of the other foreign colonies.’37 Perhaps they stayed away from nickelodeons due to an antiassimilationist cultural attitude. These hypotheses remain speculative at this point. It may be prudent simply to conclude that while there is no overwhelming evidence of ethnic variation in moviegoing, differences in ethnic identity may have had at least some influence on the distribution of nickelodeons in Manhattan. The topic needs further research.38 […]”

        Ibid.

        Like

      • Onceler
        June 4, 2017

        http://hugequestions.com/Eric/TFC/Edison-and-the-Jews.html

        The above details some of the exact jews who acted as ‘the muscle’ to defend the ‘Independents’ against Edison and the ‘Trust.’ the author doesn’t like to engage the issue, however, of italian-jewish alliance in film history. If anyone really believes that the jews were somehow distinct from the italians in the mob and its distribution and protection of nickelodeons I simply can’t help you.

        Here is an article chronicling the history of jewish perversions and porn in the film and media, with some treatment of how Holocaust imagery served as a vehicle for its delivery: https://www.radioislam.org/thetruth/24media2.htm

        To this very day, there exists an alliance in Essex County between the Jews and Italians that extends throughout most of NJ increasingly, to establish political control over the aryans particularly. There simply would be no jewish domination of the US (and world) without the italians. And to try to claim that all these italians are somehow jews is beyond absurd.

        I grew up around these people, and while there is obvious although unacknowledged semitic/arab jewish blood flowing through many of the worst ‘italian’ types and ghettoes, it’s simply wishful thinking to claim the true guineas aren’t absolute partners with the jews.

        Like

      • icareviews
        June 4, 2017

        “it’s simply wishful thinking to claim the true guineas aren’t absolute partners with the jews.”

        It’s simplistic thinking to suggest or imply that the Italian people are just Jewish lackeys and that the Catholic Church played no role in resisting Jewish cultural subversion. The fact that the Church was ultimately ineffective and that there were and are Italian and Jewish organized crime collaborations does nothing to contradict this fact. Using your logic, a person could point to Woodrow Wilson, Franklin Roosevelt, Scoop Jackson, George W. Bush, and just as well conclude, “There simply would be no Jewish domination of the U.S. (and world) without the WASPs” and thus dismiss us all outright. Aryan Skynet isn’t the place for Nordicist purity spirals.

        Like

      • bob saffron
        June 4, 2017

        “Moral condemnations and court injunctions didn’t stop the proliferation of nickelodeons that showed unseemly fare and violated Edison’s patent, so the inventor and his colleagues hired squads of thugs to shut them down. They seized film, beat up directors and actors, forced audiences out of theaters, smashed the nickelodeon arcades and set fire to entire city blocks where they were concentrated. But fortunately for the Jewish renegades, they lived and operated in neighborhoods where hundreds of soldiers stood ready and able to protect them – men like “Big” Jack Zelig, “Lefty Louie” Rosenberg, “Gyp the Blood” Horowitz, Joe “The Greaser” Rosenzweig, and the leaders of the notorious Yiddish Black Hand, Jacob “Johnny” Levinsky and “Charley the Cripple” Vitoffsky. There were even women ready for the fight – fierce, well-armed “gun-mols” like Bessie London, Tillie Finkelstein, Birdie Pomerantz, and Jennie “The Factory” Morris.”

        – From the mises.org article I posted below.

        Liked by 1 person

      • icareviews
        June 4, 2017

        “They seized film, beat up directors and actors, forced audiences out of theaters, smashed the nickelodeon arcades and set fire to entire city blocks where they were concentrated.”

        No comment. Just a smile.

        Like

      • bob saffron
        June 4, 2017

        @ Onceler:
        Well, that was a good article on Disney, but aside from a fleeting mention of Lucky Luciano, there’s no detailing of any Italian involvement in the motion-picture business.

        Like

      • bob saffron
        June 4, 2017

        “And to try to claim that all these italians are somehow jews is beyond absurd.”

        I don’t know who claims this.

        By the way, until Ferdinand’s 1492 edict, Sicily had the highest percentage of Jews of any other territory or nation of Europe. Whether they stayed on as marranos, departed, or bred outside of the community is anyone’s guess.
        http://www.bestofsicily.com/mag/art201.htm

        Like

      • icareviews
        June 4, 2017

        Which probably has a lot to do with why it’s so easy for Italian actors like Robert De Niro or John Turturro to slip into Jewish roles, as in Casino and Unstrung Heroes, or for Jewish actors like Martin Balsam, “Tony Curtis”, and Harvey Keitel to be convincingly Italian. The Italians, with their Mediterranean climate, provided the perfect environment from the standpoint of biological camouflage for Jewish activities.

        Like

      • Onceler
        June 4, 2017

        Let me ask you something, icareviews. Have you ever lived as an ‘anglo’ amidst a majority of italians and jews?

        The notion that we can analogize WASP and guinea collaboration with the jews is laughable. You’re really trying to claim most WASP’s lived in harmony with the jews, like the italians? There is a very small percentage of WASP’s who are stealth collaborators with the jews. They do this invisibly in the NYC/NJ area.

        You know why? Because most WASP’s can’t stand the jews or the italians. Are you honestly asserting that italians and jews aren’t the same race – mediterraneans – while anglos and germanics, celts don’t form a distinct one? Are you really trying to ‘nordicize’ the native europeans? Newsflash: most indigenous europeans resembled me as the ‘quintessential norwegian’ far more closely than the average southern or central italian, and even the northern italians.

        The Roman DNA imprint on parts of Germany, most of France, and Spain is just that – Roman. It’s not native celt or germanic, nor native european.

        Both the jews and the italians have their own reasons for not advertising their hand in glove alliance, and this pretense serves their collective goals better when ‘religiously’ maintained.

        To try to compare WASP collusion with italian is so ridiculous I’m going to have to come back to this in a bit after I sober up.

        Like

      • icareviews
        June 4, 2017

        Key sentence: “I’m going to have to come back to this in a bit after I sober up.” You have no disagreement there.

        Like

      • Onceler
        June 4, 2017

        From the contact high I get inhaling your ganja habit.

        Like

      • bob saffron
        June 4, 2017

        Italy is younger a nation than the US and boasts the greatest human biodiversity of all European countries. What Onceler rails against is Southern Italian tribalism, central to organized crime in Italian and abroad. The code of silence (omertà) does exist, as it does with many other ethnic groups that feature the extended, not nuclear, family as the elemental building block of society. Italian organized crime does work with the Jewish crime network, but as a subordinate, not as The Godfather would have it.

        Like

      • bob saffron
        June 4, 2017

        There is a great deal of internal ethnic tension in Italy between North and South, especially as Southerners are disproportionately well-represented in federal politics and the State bureaucracy. The State’s revenues derive primarily from the affluent industrialized North and are channeled to the poorer South with its endemic corruption but superior political apparatus. This, in essence, is the Southern Question and the raison d’être of the Northern League and other separatist movements.

        Anti-South hostility was very widespread when Fiat and the State engineered the mass-migration of Southerners to staff Fiat’s factories. While the “No Dogs, No Southerners” signs have long gone, resentment persists over this ethnic displacement. The photo below (“No Dogs, No Italians”) reflects Belgians’ distaste for Italian miners, who would work harder and for less than the locals. Again, many years ago.

        Liked by 1 person

      • bob saffron
        June 4, 2017

        One final point, Italians who emigrated to the New World were primarily Southerners. Richer, better educated Northerners had less reason to leave home. Also, most Southerners are not Mafia, though their tribalism offers fertile ground for its growth.

        Like

      • bob saffron
        June 4, 2017

        https://en.wikipedia.org/wiki/Jewish_population_by_country

        Note the low numbers, absolute and proportional, for Italy.

        Liked by 1 person

    • bob saffron
      June 3, 2017

      The Intellectual Property regime long predates any moral slide.
      https://en.wikipedia.org/wiki/Copyright_Clause

      Like

    • Hipster Racist
      June 4, 2017

      Obligatory:

      Like

      • Onceler
        June 4, 2017

        I have to get something accomplished today in the real world, but before I go for the day could you, Hipster Presbyterian, please explain to icareveiws exactly how and why the ‘United States of America’ was founded?

        ====> The english protestants were trying to purge the vestiges of ROMAN-ness from the Church of England.

        Conflicts between the Pope and the Rothchilds/Jews were a combination of theater and pissing matches, nothing more.

        Like

      • Hipster Racist
        June 4, 2017

        @Onceler

        As much as I am annoyed by the constant anti-WASP Papist LARPing from all of the “NRx” Neo-Reaction and at least 80% of the “Alt Right” … and as much as I could point out E. Michael Jones’ typical Irish anti-Anglo hangups, his narrow-minded Catholic bigotry, and his petulant whining that Americans didn’t immediately roll over and kiss the Pope’s ring the second micks and wops washed up on Ellis Island …

        … there is no way I’m bailing you out of a drunken party fight unless I’m getting something out of it.

        https://hipsterracist.wordpress.com/disciplining-denise/

        Like

  3. smartwhiteguy
    June 3, 2017

    I read this book years ago:
    https://www.amazon.com/Scourge-Swastika-Lord-Russell-Liverpool/dp/B000JJP8RC/ref=sr_1_3?s=books&ie=UTF8&qid=1496532591&sr=1-3&keywords=scourge+of+the+swastika
    It came out in the early 60’s along with a wave of similar material to capitalize on the Eichmann trial taking place in israel at the time.
    Lots of gore porn and cheap thrills.
    “The Bitch of Buchenwald” traveled around the camp in a chariot drawn by emaciated inmates. Vicious dogs were let lose on prisoners for the entertainment of bored guards.
    In occupied villages young girls were thrown into cells full of sadistic sex criminals for the lascivious amusement of the SS officers.
    Eeble nahtzees would toss jewish babies up into the air and shoot them in front of their crying parents.
    So many gruesomely imaginative stories.
    A must have for any holocaust library.

    Liked by 1 person

    • bob saffron
      June 3, 2017

      See you and raise you!

      Like

      • bob saffron
        June 3, 2017

        (((K9 unit))):

        Like

      • smartwhiteguy
        June 4, 2017

        My God! What utter jew MADNESS!!
        Evil nazis turning everyone into dogs, eh?
        The holycost sure has “unleashed” the jew’s creativity like nothing ever before.

        Liked by 2 people

    • icareviews
      June 3, 2017

      Here are some good ones for you, since you’re such a connoisseur – penned by no less than famous Hollywood screenwriter Ben Hecht:

      http://www.unz.org/Pub/AmMercury-1943feb-00194

      Like

      • bob saffron
        June 4, 2017

        Sarah’s Key was the last of the genre I sat through. I can’t stomach any more, even for revisionist purposes. War movies, ditto.

        Like

      • icareviews
        June 4, 2017

        Have you seen Lina Wertmuller’s Seven Beauties? That’s worth watching.

        Like

      • bob saffron
        June 4, 2017

        No, I haven’t, so thanks. I looked at a snippet just now and was reminded of that old truism: Italians respect, but don’t love, the Germans, while Germans love, but don’t respect, the Italians.

        Like

      • smartwhiteguy
        June 4, 2017

        Those poor jews are so mercilessly persecuted.
        Good thing they are all so dirty, stinking, filthy rich eh?
        Usually when someone is being persecuted the first thing they do is take your money.
        Jews are lucky.

        Liked by 1 person

      • smartwhiteguy
        June 4, 2017

        The guy who wrote that “Scourge of the Swastika” was the same one who wrote the famous, “Knights of Bushido” about the supposed crimes of the Japanese during WW2, Edward Frederick Langley Russell Russell of Liverpool.
        Not sure if he was jewish but he’s quite a writer. He could have made a comfortable living writing for the Weekly World News.

        Liked by 1 person

  4. bob saffron
    June 3, 2017

    N.b.: the film is actually Kiss Me, Stupid!. Kiss Me Stupid! is perhaps a little too outré, ha ha.

    Like

    • icareviews
      June 3, 2017

      I transcribed it as Jones had written it, down to the punctuation. I’ve never actually seen the movie.

      Like

      • bob saffron
        June 3, 2017

        I know it’s not you. Jones, lift your game, man!
        (I have, and it’s not worth watching unless you have an appetite for exculpatory works).

        Like

      • bob saffron
        June 3, 2017

        Oh, sorry. Comprehension error. The Pawnbroker I’ve seen, Kiss Me, Stupid, not. Lumet was very gifted, but what a dark soul.

        Liked by 1 person

  5. bob saffron
    June 3, 2017

    The inclusion of homosexuals in the Holocaust narrative wasn’t without Jewish “exclusivist” opposition (see Dawidowicz’ comments).

    http://www.whale.to/b/wikoff.html

    Like

  6. bob saffron
    June 3, 2017

    I think I know whence inspiration for these exploitation films comes:

    Like

  7. bob saffron
    June 3, 2017

    Moral standards argument aside, this piece has some interesting material on the backdrop of violence at the birth of Hollywood:
    https://mises.org/blog/effects-patent-and-copyright-hollywood-movies

    Pace E. Michael Jones, I view the Edison approach doomed to fail from the very outset. Worse, the legislative framework he championed has been the MSM’s primary enabler. Copyright’s erstwhile opponents now its most fervent supporters.

    Like

  8. BMan
    June 4, 2017

    It would be so much easier…

    Liked by 1 person

  9. Pingback: Holocaust as License and Media Mandate to Exterminate Sexual Decency | Hipster Racist

  10. Pingback: Holocaust as License and Media Mandate to Exterminate Sexual Decency  | rudolfblog

  11. Hazelshade
    June 5, 2017

    I would say nationalists should in turn use shocking Holodomor media as license to exterminate overbearing central government, but uff dah! I’ve done it myself and it made me sick. I almost threw up afterwards out of disgust and shame. Turning this one back on the Holocaustians takes a strong stomach at minimum.

    Like

  12. Pingback: Jumping the Great Whitegeist | Utter Contempt

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