Aryan Skynet

Once Aryan Skynet Goes Live It Doesn't Matter Who Pulled The Switch

Jewish Robber Barons of Rock

Some remember the days of doo wop and girl groups as a time of innocence in popular music; but, as Nick Tosches conveys in his book Save the Last Dance for Satan, a roving account of the gangsterish goings-on behind the scenes of the early days of rock and roll that draws upon the reminiscences of musicians and promotion men, the record industry thrived amid a decidedly unwholesome and distinctly Jewish-mafioso environment. “Everybody was trying to shake down everybody,” Tosches writes. “Among the Jews who ran the music business, it was treachery without end within the temple.”1

Sometimes even performers of hit records like the Jaynetts’ 1963 Tuff Records single “Sally, Go ‘Round the Roses” were lucky to get paid for their work. Artie Butler, who did most of the instrumentation for the song, recalls that Tuff head “Abner Spector [no relation to Phil] and I did not see eye to eye on paying people for their work, so we never worked together again.”

Artie remembers that Abner “hated” the recording when he first played it for him. “He was really angry. He felt that I wasted his money. I disagreed with him. I played the record for Jerry Leiber and Mike Stoller. They loved it and offered to buy it and reimburse him for all of his expenses. When I went back to him and told him that Leiber and Stoller loved it, he had second thoughts about it.”2

Spector, despite his distaste for the song, eventually secured an authorship credit, but cheated the actual musicians out of their share of the return:

Not only did the three girls who recorded “Sally, Go ‘Round the Roses” receive no credit for their achievement. They also got none of the gelt brought in by their hit recording, either. The album liner notes credited to Abner were correct in describing the big “payoff” for the Jaynetts coming “at ‘Playback Time’ when, in those memorable moments, they first saw the delighted looks on the faces of the musicians and heard their sincere and hearty applause.” Quite a payoff indeed, especially as there were no musicians present [since the vocal and instrumental tracks were recorded in separate sessions]. Abner, the producer and label-owner who wasn’t there either, may have figured that money could only demean a payoff so grand and downright otherworldly as this.3

Another figure typical of the music scene of the time was the “genius” Moishe Levy, the Roulette Records owner whose rise Nick Tosches recounts as follows:

[…] the Bronx was where Moishe Levy grew up. He went by the name of Morris, but those who knew him called him Moe when they didn’t call him Moishe. He was in his early twenties when he took over Birdland, the celebrated jazz nightclub, named for Charlie “Bird” Parker, that opened in 1949 on Fifty-second Street at Broadway. Even then there was a mythology about the man who called himself Morris Levy. He had won control of the joint in a card game, it was said – drawing three sevens, playing one on one against the owner – though many swear that Levy never gambled except for an occasional game of craps. He had started out as a kid flipping hamburgers at the Turf, which, like Jack Dempsey’s, faced Broadway from the street level of the Brill Building. He had then become a photo developer of pictures taken of patrons by nightclub camera girls. Then he operated coat-check concessions in clubs throughout town. Then, mysteriously, he owned clubs: not only Birdland and its sister club, Birdland of Miami, but the Royal Roost, Bop City, the Downbeat, the Embers, and the Round Table were all, at one time or another, said, known, or rumored to have been Levy’s joints.4

morris-levy

Moishe (“Morris”) Levy

Tosches further recounts a group of acquaintances’ memories of Levy:

Not only was he a genius, says one who knew him, in way of epitaph, but “he was one hell of a sharp dresser, too.”

But what of Morris Levy’s genius? In a group, as at that big round back-room table, the old-timers are wary, evasive in answering.

“He could spot a winner,” says one.

“The ‘essence of his genius’?” smiles another, wryly using the phrase I had offered. “Robbing everybody.”

“He never gambled.”

“He took over underdogs.”

“Morris hated to give up money. Money was his god, and he was devout in his religion.”

“What was that I was saying? ‘This is my grocery store. I do all the robbin’ here.’”

“If you sold a million records, he’d say you sold a hundred thousand. Moe was pretty sharp with that. That was his thing.”5

Levy, Tosches reveals, was the man who “controlled” Alan Freed, the disc jockey who popularized “Rock and Roll” as a label for the category of wild music being marketed for the new teenage market during the 1950s and gave it “his Judaeo-Christian benediction”6.

alan-freed

a.k.a. Mr. Pay-for-Play

“That was the secret of Moishe’s success,” I was told. “He controlled Freed.” And, in those pay-for-play days, Freed, whose plays were the biggest, got the biggest pay. “Every record company that was in business selling R&B had a deal with Alan Freed. Atlantic, King, Federal, all of them. And they all had to come up with the money. That’s the way it was. Freed made money. Morris made money.”

In a group, these are the things that are said, and in all of what is said there is truth. These men know what they are talking about, and there seems to be no special fondness for Levy among them.

There are a lot of stories from the Birdland days. It was Irving Levy, Moishe’s brother, that managed the joint.

“He was a sweetheart, Irving. I was there the night he was killed. He had a hooker there, didn’t want her there, and he chased her out. Her husband caused a big commotion, stabbed Irving, killed him. So then it was like open season. All the jukebox guys used to hang in the Birdland mostly. And everybody’s out for the husband. You never seen more people getting shot left and right, everybody thinking they’ve got the guy.”

“He loved broads,” one says of Morris, who would marry and divorce several times.

But what of all the tales of Levy’s being deeper into the Mob than the rest of them?

“Bullshit.”

But alone, some speak differently. One takes me aside, his arm around me, whispering though we are in earshot of no one.

“Let me tell you,” he says. His hushed words are delivered slowly and surely: “Morris simply could not have done what he did alone.”7

Tosches relates a number of other engaging anecdotes about the business of what he characterizes as the silver age of rock and roll (following the golden age of the black R&B of the forties) which, assuming they have strong stomachs, are probably worth reading for those with an interest in the subject; but, for the purpose of bringing the present post to an appropriate close, Tosches’s summaries of the demises of Freed and Levy will probably be sufficient.

Alan Freed, broken by the ensuing scandals of the lengthy payola hearings, died impoverished and disgraced […]. As for Levy, he was charged in 1986 on counts of criminal collusion and conspiracy with several alleged mafiosi, and was convicted in 1988. Following the failure of an appeal, he was scheduled to report to federal prison when, in the spring of 1990, age sixty-two, he died at the manor house of his estate, a thirteen hundred acre horse farm in Ghent, New York.8

Rainer Chlodwig von K.

Endnotes

  1. Tosches, Nick. Save the Last Dance for Satan. New York, NY: Kicks Books, 2011, pp. 6-7.
  2. Ibid., p. 32.
  3. Ibid., p. 33.
  4. Ibid., pp. 49-50.
  5. Ibid., pp. 51-52.
  6. Ibid., pp. 57-58.
  7. Ibid., pp. 58-59.
  8. Ibid., pp. 59-60.
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About icareviews

Propaganda Minister of #AryanSkynet

44 comments on “Jewish Robber Barons of Rock

  1. icareviews
    November 19, 2016

    Reblogged this on icareviews.

    Like

  2. kerberos616
    November 19, 2016

    Reblogged this on Kerberos616.

    Like

  3. Sam J.
    November 19, 2016

    “…Levy, he was charged in 1986 on counts of criminal collusion and conspiracy with several alleged mafiosi, and was convicted in 1988. Following the failure of an appeal, he was scheduled to report to federal prison when, in the spring of 1990, age sixty-two, he died at the manor house of his estate…

    How convenient.

    Notice how many people in the US keep dying of suicide around the US when they thwart the Hebes, they must have half the corners of the country in their pocket.

    Liked by 1 person

  4. bob saffron
    November 19, 2016

    On rackets in the music business, you might be interested in the saga of the “Amen Break”.

    Like

    • icareviews
      November 19, 2016

      It seems to me that such appropriation ought to fall under the category of transformative fair use.

      Like

      • bob saffron
        November 20, 2016

        Even better, ditch Copyright and end the oligolopic control of ideas. Dickens faced a similar dilemma to today’s writers/musicians faced with the challenge of internet.
        http://blog.tavbooks.com/?p=714

        Like

      • icareviews
        November 20, 2016

        Well, as somebody who plans to publish a book in the future, I’m afraid I have to tell you to take a hike on that one, Bob.

        Like

      • bob saffron
        November 20, 2016

        Aside from the legitimacy or otherwise of protecting ideas as opposed to stuff, what constitutes “fair use” is entirely arbitrary. 6 notes, 7, or 41? 10 words, 22, or 9? What sense is there to any of these calculations?

        Like

      • icareviews
        November 20, 2016

        Age of consent is an arbitrary demarcation, as well, but that’s no argument for legalizing pedophilia. Some amount of arbitrary decision-making is necessary for dignified life on earth.

        Like

      • bob saffron
        November 20, 2016

        Far be it for me to knock trying to make a buck, but the new paradigm opens up different strategies. I’d wager you’re more interested in growing readership than amassing a fortune, in any case.
        https://www.theguardian.com/books/2012/feb/01/paulo-coelho-readers-pirate-books

        Kevin MacDonald’s Culture of Critique is easily downloadable, which spreads readership and boosts his profile, but he still sells plenty of hard copies.

        Like

      • icareviews
        November 20, 2016

        I’m not a celebrity like MacDonald, though. I’ll be pissed off if people pirate my book. Partially gratified, but also pissed off. It isn’t as if I’m some corporate monster; I’m just some guy with debts to pay and can actually use it. I don’t really have a problem with people pirating Schindler’s List or rotten, hostile trash like that; but we ought to give our patronage to the folks who are on our side.

        Like

      • bob saffron
        November 20, 2016

        Age of consent addresses concerns over real property, ie. the body of a child, custody of whom is vested in the parent. It is informed by community values as well by tangible factors such as onset of puberty, economic conditions and general longevity. A society that doesn’t protect and nurture its young is destined to disappear in the Darwinian struggle.

        Copyright, on the other hand, is a scheme to create property where none exists and commercialize that monopoly. Ideas are not physical, they can be shared infinitely at effectively zero cost. Impeding the transmission of learning through the sharing of knowledge is a sure road to stagnation.

        Liked by 1 person

    • bob saffron
      November 20, 2016

      Not my business. ha ha, but how come there is no “Donate” button?

      Like

      • bob saffron
        November 20, 2016

        Let me rephrase that, is there no way to solicit donations outside of Paypal?

        Like

      • icareviews
        November 20, 2016

        Buy my book when it comes out if you want to help me out. Skynet stuff is free to share and I don’t expect anybody to pay me for it. Writing this stuff is fun. I finally wrote my Bone Tomahawk review, by the way.

        https://icareviews.wordpress.com/2016/11/20/bone-tomahawk/

        Like

      • bob saffron
        November 21, 2016

        Have you seen Drive (2013)? That was unusually realistic in its ethic characterizations.

        Like

      • icareviews
        November 21, 2016

        Ethic or ethnic? No, I’ve not seen it.

        Like

      • bob saffron
        November 21, 2016

        I doubt anyone will pirate your e-book. The cost I imagine will be nominal and so there’s little incentive to do so.

        Like

      • bob saffron
        November 22, 2016

        “ethnic” – lapsus! The Jewish gangsters are so faithful to reality I am amazed it got made. Maybe there was enough confidence to drop crypsis.

        Like

      • icareviews
        November 22, 2016

        There’s actually an Israeli gangster character in True Detective season 2.

        Like

      • bob saffron
        November 22, 2016

        “My hands are a little dirty”

        Liked by 1 person

      • bob saffron
        November 22, 2016

        Little Odessa (1994) has Tim Roth as a Jewish hit-man in the Russian Jewish quarter of Brooklyn. Not a bad film.

        Yeah, I remember that True Detective character, though they didn’t do much in the way of character-development.

        Like

      • bob saffron
        November 22, 2016

        The Godfather II (1974) and Once Upon a Time in America (1984), too, though most have seen them.

        Like

      • bob saffron
        November 22, 2016

        Gangster Squad (2013) gave no insight into the Jewishness of Mickey Cohen.

        Like

      • Hipster Racist
        November 23, 2016

        You can donate to me via bitcoin, send me an email and I’ll give you the bitcoin address.

        Like

  5. smartwhiteguy
    November 20, 2016

    Liked by 1 person

    • icareviews
      November 20, 2016

      Wake me up when they stop rocking and start rotting.

      Like

  6. SORSERYGOD
    November 21, 2016

    I just wrote a piece comparing Trump to Skynet. It begins:

    The war against the machines is over. President Trump, from his command post in Trump Tower, surveys the wreckage of the liberal assault machine-automatons, all talking the same way, none of them specific in their complaints against his Deplorables fighting the Resistance movement. The Liberals’ real Skynet directive: Purge the West of its native white populations and usher in a high-tax, high-gimmedat regime under which all the happy brown and black peoples will celebrate together thanks to their moral limpwrister (liberal) terminator-overlords, who will employ them as junior executives in media corporations and academic institutions across the land.

    The war must not be lost. Trump is the last chance to teach true humanity to fight back against the Hunter-Killer drones of the media landscape and the Politically Correct cucks who rule the corporate hallways in terminator infilitrator units disguised with lipsticked smiles.

    You can read it in its entirety at the following link. Leave your comments telling me what you think.

    https://torontogod.wordpress.com/2016/11/21/president-trump-against-skynets-many-terminators/

    Like

  7. guest
    November 21, 2016

    Any thoughts on Hamilton, the Broadway insult of your founding fathers?

    I really thought they can’t possibly make musicals even worse than they already are, and then we get this, a new low. Pence was probably the first white straight male to ever see it, and he powered through, for America! Trump should award him a Purple Heart just for that… The show is inspired by the 2004 biography of Alexander Hamilton by historian (((Ron Chernow))) and is produced by (((Jeffrey Seller))), this is what led him into the fabulous life:

    “You’re asking for a logical answer to an emotional question, which is, “Why did I fall in love with the theater?” I don’t know. I just know that when I was in the Purim play at Temple Israel in the fourth grade — vivid memory — something touched me so deeply that I went away and wrote a play right after”

    Liked by 2 people

    • icareviews
      November 21, 2016

      I had to attend an event where one of the songs was performed. Beyond that, I have no knowledge of it. Just seems like the typical Jew b.s. to me. This stuff is flying at us so fast and thick that I can’t stop to notice every individual chunk of cultural detritus.

      Like

    • KSA
      November 23, 2016

      Hamilton is a continuation of the negroidification of the American popular consciousness. I didn’t realize it was produced by a jew, but that makes perfect sense, as it’s the M.O. of jews to mock and defile everything more elevated than they. The European soul is a pristine pool in a Roman garden in which the jew instinctively wants to take a dump.

      Like

  8. indravaruna
    November 22, 2016

    “Among the Jews who ran the music business, it was treachery without end within the temple.”

    This why Jesus expelled the money changers from the Temple, but seriously, the Enterteinment Industrial Complex is a Jewish monopoly or least close to be one, from super-hero comics to pornography is all Jews making money selling garbage for naive goyim.

    Liked by 2 people

  9. guest
    November 22, 2016

    There’s another fake controversy involving Richard Spencer…

    The irony is that didn’t even sieg heil anyone, he raised his glass and said hail victory. Watch the full 30min thing here: Richard Spencer – NPI 2016, Full Speech

    And like i always say, if you aren’t sieg heiled into your forehead, where’s the problem? To avoid that i switched to the casual heil a long time ago, problem solved!

    That would make a fine post, a screen grab clearly showing Spencers glass, and that Seinfeld clip to diffuse the situation…

    Liked by 1 person

    • guest
      November 22, 2016

      You just can’t sieg heil with a glass in your hand, that’s called a toast.

      That or i was unknowingly sieg heiling at every wedding i ever went to…

      Liked by 1 person

    • icareviews
      November 22, 2016

      My frequent gesture of greeting to coworkers is to show them the side of my hand, raising it like the prelude to a karate chop.

      Liked by 1 person

    • Hipster Racist
      November 23, 2016

      Not only did they ban Spencer from Twitter, they banned NPI and the publishing company and anything to do with them. They didn’t violate any rules, of course, Twitter did it because the $PLC asked them to.

      Spencer gets the most shit precisely BECAUSE he’s moderate, normal looking, not a freak, and is extremely effective.

      Spencer’s Alt Right, and neo-neo-con sites like Breitbart.com (which gets more online traffic than ABC News) and the Trump victory have the old media shitting themselves. Spencer is easily more intelligent, better spoken, and easily as photogenic as anyone on the Jew TV stations, which is why they are in such a panic about him.

      Just notice how Spencer has been the target of a well coordinated slander campaign since he left Taki Mag to go full pro-white. It’s been over five years of personal attacks, slander, smears – they have literally tried everything – and most of it, until recently, was coming from people pretending to be on “our side.”

      But now Spencer has hit the big time and the $PLC and the ADL (i.e., the Jews) are going into full attack mode. They aren’t hiding behind their WN Clown Show sock puppets anymore.

      Frankly, it’s a good sign. They only attack when you are being effective.

      Liked by 1 person

      • guest
        November 23, 2016

        You are right, radixjournal, NPIAmerica & RichardBSpencer twitter accounts were all suspended! That’s why i went immediately saving everything from BobWhitaker2016, just in case, it’s almost 600 originals tweets (excluding retweets and such).

        Tanstaafl was also suspended recently, and promptly returned to blogging at his age of treason blog. That’s why i always disliked twitter, it took many people out of the longer form posting game. What’s next, a social network where you just post emoticons? Because who has time typing 140 characters, I’m not Tolstoy for gods sake!

        Liked by 1 person

      • guest
        November 23, 2016

        Which Spencer should read, everything by Bob, before doing any more interviews, especially the rewrite and polish to a minimum parts…

        Watch officer Carl own Richard here, there are no zingers from him:
        Roland Martin Debate Vs. White Nationalist Richard Spencer

        What do you think would Bob give this performance, from 0 to 10?

        Liked by 1 person

    • Sam J.
      November 25, 2016

      I looked at the video and some others linked to it. They are really reaching way out there. I thought by all the stink there was a huge Heil Hitler orgy. I saw Richard toast and two guys with what could be called a Nazi salute. Two guys. I think it’s probably a bad idea to do this but I see it as them really just shooting the bird to their enemies in the most offensive way they could think about.

      Like

      • Hipster Racist
        November 25, 2016

        @Sam J

        I know this sounds trite, but from what I can tell – it was three people “sieg heiling” – and two of those were self-admitted Jews.

        I know, I know, it’s a “conspiracy” – but literally, it’s true. Two Jews – maybe more – showed up to NPI and did the “Hitler Salute” for the cameras, and now that is what the Jew Median is showing day in day out, anytime Spencer and NPI get publicity.

        Doesn’t anyone remember that the Democrats were caught red-handed hiring “actors” to go to Trump rallies and start trouble and drama? Well – here it is. Spencer has been the major target, precisely because he’s effective and making headway.

        I’m not exactly sure the best tactics to counter this – but it is what it is. If anything, our job at Aryan Skynet should be to anticipate this sort of bullshit and find effective counter-measures.

        I can send a Spencer video to everyone from my grandma to my next door neighbor. That is how “normal” Spencer/NPI is.

        And that is why they are the targets for these sorts of smear campaigns – BECAUSE they are effective.

        No one bothers to send shills to Hungry Hungry Heimbach’s publicity stunts because he’s so off-putting it would be a waste of time – he’s self-discrediting. But Spencer is effective, so therefore he’s a target.

        This is how the game is played – it’s obvious. So the only question is what do we do about it?

        Like

  10. Hipster Racist
    November 23, 2016

    Liked by 1 person

  11. Pingback: Jewish Robber Barons of Rock | Hipster Racist

  12. guest
    November 25, 2016

    Hamilton attack on Pence proves “theater people are human garbage”

    By Gavin McInnes, a Canadian writer, actor, comedian…
    He is like a much funnier RamZPaul, no offense Paul!

    Like

    • Hipster Racist
      November 25, 2016

      Gavin is funny but he’s not nearly as good as RamZPaul. Gavin married some Dragon Lady and has a non-white daughter, so he’s pretty cucked as far as that goes. RamZPaul has two beautiful and smart white red-headed kids, one girl and one boy (they are both college age now if I remember correctly.)

      But Gavin is okay, he’s pretty funny. I think we should be encouraging even the half-whites that don’t buy into the SJW nonsense.

      Like

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