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An Authentic Portrait of a Jew

Unstrung Heroes poster

Unstrung Heroes (1995)

Michael Richards, while appearing as Cosmo Kramer on NBC’s “Must See TV” series Seinfeld (1989-1998), also had opportunities to play variations on Jerry’s hyper-eccentric neighbor in movies such as Problem Child (1990) and Trial and Error (1997). Of his 1990s side projects, the most noteworthy is probably Unstrung Heroes (1995), a quality family drama scripted by The Fisher King (1991) screenwriter Richard LaGravenese and directed by Diane Keaton, a woman with intimate knowledge of Jewish neurosis owing to her relationship with Woody Allen (real name Allan Konigsberg).

Set in the seemingly boundless promise of early 1960s America, Unstrung Heroes is the story of Steven Lidz (Nathan Watt), a Jewish boy whose idyllic life goes awry when his mother (Andie MacDowell) becomes terminally ill with cancer. Life with his loving but difficult father (John Turturro) becomes too much for Steven to handle as they idly wait for his mother to die, so he finds an escape by going to live with his two bizarre uncles, Arthur (Maury Chaykin) and Danny (Richards), in their cluttered rat’s nest of an apartment. Each a lovable man-child in his individual way, the pair together constitutes a sort of dual Falstaff/Trotsky figure to Steven’s adolescent Henry – irresponsible codgers who will divert him and make him forget his troubles, while also initiating him into his future concerns with politics, spirituality, and ethnonational identity. “You have my permission not to listen to anything they say,” Steven’s more down-to-earth mother admonishes him beforehand.

Whereas Steven’s father is a secular Jew and scientific genius who believes that “pure science will be earth’s ultimate salvation” and that Heaven only exists “in the minds of morons”, Danny and Arthur are of a decidedly more religious and irrational bent. Though the “Holocaust” is at no point explicitly referenced in Unstrung Heroes, one senses its constant presence hovering cloud-like over Danny and Arthur, whose obsessive hoarding of junk, one suspects, is informed by a haunting sense of loss and resultant desire to rescue a little something of everything. “Dreams, they’re like memories,” Arthur explains to Steven as he shares with him a book of collages he keeps as a record of things he has dreamed. This creative relationship between dreams and memories to which Arthur refers suggests, too, the blurring of historiography and fantastical construction in the Jewish group consciousness, particularly with regard to events of the Second World War.

MSDUNHE EC003Danny (Michael Richards), Steven (Nathan Watt), and

Arthur (Maury Chaykin) in Unstrung Heroes

An ardent Marxist and a Zionist zealot who wears his yarmulke to the dinner table, Danny is more paranoid than Arthur and suffers from what can only be called a severe persecution complex. His insane accusations of “Fascist!” make the funniest moments in Unstrung Heroes. Danny contends that Eisenhower himself was a crypto-Nazi and that the slogan “I Like Ike” is merely code for “I Hate Kikes” and holds the fascist United States culpable also for “crucifying the Rosenbergs”. “Idaho”, furthermore, means “Jew hater” in Cherokee, so that anti-Semitism would seem to be something primordial and perhaps inherent to the American continent, predating even European immigration. Danny goes so far as to be fearful that he may be under surveillance at innocent family gatherings.

Danny encourages student president candidate Steven in his budding political aspirations, watching him go from a timid nebbish humiliated by little “Hitler in the making” Ralph Crispi (Sean Donahue) to a radical firebrand who disrupts his class by singing the “Internationale”. Steven even changes his name to “Franz” to sound more foreign and Jewish and plunges headlong into Danny’s imaginings of a monolithic gentile conspiracy. When antagonistic landlord Mr. Lindquist (Jack McGee) threatens packrats Danny and Arthur with eviction, Danny determines that “Action must be taken – an offensive plan!” After outsmarting a building inspector, they proceed to smear Lindquist and vindictively call his sanity into question, recommending that he be placed under “mandatory psychiatric care”.

Ultimately, however, it is Danny who comes to understand that he is the one who has gone insane, and following a frightening crack-up he finally checks himself into a mental institution. While most Hollywood movies prefer to portray Jews as heroes, victims, or harmless, lovable kvetchers, Unstrung Heroes has the comparative honesty to expose the cockeyed Zionist ADL mentality for the threadbare, petty, and self-destructively crazy rag-pickery that it is. “People, they get trapped in their own history unless someone shows them a way out,” confides Danny, a man who finally realizes that he has been victimized not by the totalitarian goyim, but by his own ethnic paranoia. The “way out” for Danny, significantly, is his local sanatorium.

RC von C

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About icareviews

Propaganda Minister of #AryanSkynet

11 comments on “An Authentic Portrait of a Jew

  1. icareviews
    November 8, 2014

    Reblogged this on icareviews and commented:

    Taboo thoughts on Diane Keaton’s revelatory Unstrung Heroes.

    Liked by 1 person

  2. Hipster Racist
    November 8, 2014

    Reblogged this on Hipster Racist and commented:

    It was a terrible movie, but Diane Keaton and Jack Nicholson in “Something’s Gotta Give” play two Jews – and they go out of their way to mention their character’s Jewishness constantly – involved in a ludicrous romance. They manage to make both characters utterly unsympathetic. Would not watch again.

    Liked by 1 person

    • icareviews
      November 9, 2014

      It’s odd, but I can’t remember for sure if I saw Something’s Gotta Give. I ordinarily have a pretty good memory about movies, but if I saw that one it must have been so generic that it didn’t leave any permanent impression. Since it’s a romantic comedy, not a genre I generally go for, I suspect it’s something a relative picked and which I watched against my will.

      Liked by 1 person

  3. vikingbitch
    November 9, 2014

    Reblogged this on vikingbitch's Blog and commented:
    I like this piece because it illuminates the dangers that the Goy may encounter with regards to paranoia.

    It is good to be guarded. Often times in mental health, practitioners will use the term ‘defensiveness’ or ‘guarded’ with negative connotations; however, I like to reframe these terms into the idea that people are being self-protective when they are engaging in guarded behaviors.

    It is right for Whites to be guarded and paranoid of the Jews because they are acting out at Whites for perceived transgressions that we purported against them. It is not unlike dealing with a person with paranoid schizophrenia when a White deals with a Jew. Someone once described a Jew to me as dealing with a rattlesnake. Yup- I concur with that description.

    The danger with Whites who are now engaging in self protective and perhaps perceived paranoiac behavior is that we may be looking for rattlesnakes EVERYWHERE, just as the Jews see anti semitism in every nuance a white person enacts. Whites wanting their own space is framed as anti Semitic.

    The other side of the coin too is to have an ‘oh well fuck it attitude’. I purposely engage in craziness so that the sociopathic blood sucking zombified Jew Thinkers will leave me the hell alone. It is sad that one has to engage in this tactic to simply survive… but hey, this is Amurkistan now and there is no going back. Going forward for whites meaning we will have to be militant in our paranoia or self protective behaviors against the Jews because their actions have proven they have no brakes, no boundaries.

    As we say in mental health when assessing suicidality, past attempts are indicative of future attempts.

    Liked by 1 person

  4. clytemnestra57
    November 9, 2014

    @vikingbitch who posted:

    “It is good to be guarded. Often times in mental health, practitioners will use the term ‘defensiveness’ or ‘guarded’ with negative connotations; however, I like to reframe these terms into the idea that people are being self-protective when they are engaging in guarded behaviors.”

    All warfare is based on deception. Hence, when we are able to attack, we must seem unable; when using our forces, we must appear inactive; when we are near, we must make the enemy believe we are far away; when far away, we must make him believe we are near.

    Sun Tzu’s The Art of War

    A few years ago, I had an interesting conversation with a young Black woman who was reading The Hunger Games. It turns out that she was a college student who was majoring in Linguistics.

    Here is where it gets interesting. During our conversation what I noticed is what fascinated her was not so much the premise of young children being forced by a cruel tyranny to hunt and kill each other, but how the protagonists in a panoptic society with “ears” to record every self-incriminating thing they said everywhere used double-speak language to engage in acts of rebellion against the authorities.

    I have read posts by WN in the past where they fulminate about racially aware White people censoring themselves and using politically correct language imposed upon them by the Cultural Marxists.

    I have to laugh at this, because I used to sit through several classes by a professor (an older White crank) who never though to drop the “N word” or utter racial slurs or even utter a “White Supremacist” opinion. No. He had a devastating weapon of choice to puncture any progressive pretensions. He’d throw any PC phraseology back into the faces with sharp sarcasm and dripping with such contempt that he made people squirm.

    On a more mellow note, I have noticed that Those Who Are Aware have managed to even more effectively bypass CM’s “social justice” agenda by co-opting the language via coding it.

    The end result is that a prospective buyer learning that the neighborhood s/he is thinking of moving into is “rich with vibrant diversity” instinctively knows to steer clear of that neighborhood. If the visitor is informed that it is a vibrant, diverse area with lots of “youths” has been experiencing “racial tensions,” they know to avoid that area like the plague.

    I have noticed progressive DWLs have been far more successful at evading cultural enrichment than out and out openly racist people, even WN leaders like Tom Metzger yelling the “N word” for all they are worth. Their stance to People of Color seems to be, “I’ll call you whatever you want; I’ll never call you neighbor.”

    I am not surprised by the popularity of The Hunger Games with the Millennial Generation. To a certain extent they were born into a panoptic dystopia that likes to spy on people and ruin the lives of those who utter an inconvenient truth.

    I don’t necessarily regard this as a bad thing. In The Art of War, the author stresses the need for mental flexibility. To paraphrase Jared Taylor of Amren, proper training teaches Whites how to speak to People of Color while giving them the ability to stay far, far away from them.

    As OKCupid demonstrated, young Whites who have been indoctrinated into the multiculti by the Marxists since kindergarten and especially those who went several more years to get their college degrees are STILL going on line expressing a marked preference for their own race.

    It behooves us all to listen less to what people say and observe more of what they do.

    Liked by 2 people

  5. Pingback: An Authentic Portrait of a Jew | JewishProblem.com

  6. Pingback: An Authentic Portrait of a Jew | Daily Stormer

  7. Tiny Bollyn
    November 9, 2014

    “He’s a nigger!” – Michael Richards

    Liked by 1 person

  8. Cj aka Elderofzyklons Blog
    November 10, 2014

    Reblogged this on ElderofZyklon's Blog!.

    Like

  9. weeedwacker
    November 27, 2014

    Sounds like a really creepy movie. Crazy old jews…ICK!

    Like

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